Monday, January 26, 2009

The Mercy Papers, Robin Romm.

My path to this book was pretty typical for me - it was featured in the Sunday NYT Book Review with outstanding reviews attached. Coming straight out of the holidays with giftcards burning holes in my pockets I tried to stave off the feeling that I had to have this book (I mean, I have so many I haven't read yet), but there was something about it that made me need to buy it.

Maybe it was the picture on the front cover. It's kind of haunting, don't you think? I mean, to the random passerby in the bookstore, it's reminiscent of childhood. As I read the book, though, I came to realize the significance of the popsicles lies in the fact that, as Romm's mother nears death, its one of the only foods she can still stomach.

Part of the reason I loved this book so much is because of how close I've grown to my mother over the past few years. Moving out of the shadow of teenage angst and curfew arguments really does wonders for a relationship. Most notably, I catch myself thinking about how she felt when her mother died my freshman year of college and how that will, eventually, happen to me someday as well. There was something about the way Romm described it that was mentioned in the NYT review that just hit home all too accurately.

“She’s building a boat to sail my mother out. . . . Barb will build the boat of morphine and pillows and then I will have no mother and the days will be wordless and empty.”
And then I will have no mother and the days will be wordless and empty. I must have read that sentence thirty times over that Sunday morning and decided I had to buy the book the Tuesday it came out. So I made it until Wednesday, broke down and bought it, and read it over the following weekend.

To be honest, it was all such an emotional blur, I don't even know if I should say whether it's good or not. When something is that truthful and that honest, you can't label it "good" or "bad," it just is the truth. Does that make sense? There were moments late at night that weekend where I would read with tears streaming down my face, feeling so much pain for Romm, feeling so much frustration for her mother, the exhaustion of her father. Knowing that someday that will be me is a terrifying thought, but one almost all of us think from time to time.

This book is just incredible. It effortlessly struggles with the anger, the grief, the acceptance, the anticipatory sorrow (because by the time it actually happens, you can't feel much of anything). And I say it effortlessly struggles because obviously there's a struggle. There's a struggle of Romm to accept her mother won't be around forever and that, at this point, there's nothing she can do but be there and wait. There's the struggle of her mother, a once self-sufficient woman, to resign herself to death and dependence upon everyone else in the meantime. And yet Romm's words in no way stifle exactly what she wants to say when she wants to say it. So, in a way, it's effortless.

I'm well aware this is a meandering, train of thought type of discussion. I think turning this into a clean write up would make it lose some of its meaning. At the end of the day, this book was beautiful, sad, horrible, terrifying, and so painfully real that I couldn't stop turning the pages.

Saturday, January 24, 2009

Revolutionary Road

REVOLUTIONARY ROAD, Richard Yates

I know it seems like I'm jumping on the bandwagon with this one, but I actually finished it before the movie came out and before it graced the pages of the New York Times Bestseller list, so I guess you could say that I'm driving the bandwagon. Yes, I'm a trend-leader and all the rest of those people with the movie tie-in version of the book are just followers. Having said that, this book is fabulous. Since it's been more than a month, my comments on this will be brief. Yates has the clean, direct style that I loved in Eugenides's The Virgin Suicides. That's not to say that there's no descriptive prose, just that you don't get this feeling that entire chapters, passages, characters are unnecessary. In fact, just the opposite, there are only 7 characters that are actually people with sides, nuances, personalities. The rest are merely background noise, stereotypes of who they are and what they should be, and their sole purpose for existing is to be literary devices for Yates in the lives of his central characters.

I'm sure everyone has been peppered with the synopsis of this book from TV, movies, etc., so you all get the drift. Suburban malaise in the most painful and deadly way. Two twenty-somethings who are convinced they are destined to lead more extraordinary lives than settling in Connecticut and raising 2.5 children, they have always planned for something greater than their current situation. When it reaches the point of being unbearable, they make plans to escape their predetermined destiny and, well, plans just sort of unravel from there.

Yates is a beautiful writer. I regret being unable to say more about it, but I waited a long time from finishing it to writing it up (mostly due to turmoil in my own life). Having said that, it really is worth the read, beautifully written, identifiable characters. It has a haunting quality that nags at me long after I finished.